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He was the first Black man to show me characters like me.
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Harlis views Polk as a groundbreaking independent filmmaker who took the initiative to fill the void of Black gay characters on TV and in film. Harlis tells The Reckoning that Polk was an early supporter of his work, even taking the time to read his script and provide feedback. Which is one of the reasons why Harlis praises “Noah’s Arc” creator Patrik Ian-Polk. The tears are healing and peel back an extra layer of an introverted artist that is resilient and brave in a business that requires artists to be vulnerable and authentic, yet constantly changes the rules of the game if said artists are Black, effeminate, and gay. Wiping away his tears, Harlis apologizes for getting emotional, which is unnecessary. I would have to run down the street or act like I’m exercising and doing push-ups to stay warm, and at the same time try not to look like a creep walking back and forth outside of this building. It was a homeless thrift store down the street, and I would go there and charge my phone just to have access to people. I woke up one day and the lights was off, the gas was off. So what I would do, I’d leave the door unlocked so at night I would have somewhere to lay down, and when they locked the door is when I knew that I couldn’t go there anymore,” said Harlis who has now given himself permission to let his tears flow freely. “I didn’t have a car so I rented a car through Uber so that I could make money. I was homeless,” he said as he fought back tears. “I lost everything because I quit my job to pursue my dream. People donated and we were able to get the film done,” he said.įor a period of time, Harlis’s decision to leave his high-powered corporate job landed him on the outside looking in-literally. I went outside on the corner with a sign that said help me make a film. It’s an assignment that has come with its fair share of setbacks and hurdles that Harlis has had to overcome without major donors or studio executives funding and distributing his films. I feel like this is my assignment to tell the everyday gay male story.” But people always say that telling gay stories isn’t gonna make you money. “One of my goals is to show the everyday gay male. “I appreciate being able to display a gay male that looks and acts like me because I didn’t always see that,” said Harlis. ”įor Harlis, being able to provide Black gay men with representation onscreen is a responsibility that is always at the forefront of his mind as a filmmaker. I wrote it in September, did casting in September, at the beginning of October we shot it in 6 days and were able to edit and show it in November.
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“I called some people that normally help me out with production, and I said, I’ve got this idea to shoot a Christmas movie, and they said, ‘but it’s September, how are we gonna do a Christmas movie?.’ I was like, we’re gonna do it. “I locked myself in my office for 2 1/2 weeks and came up with that story,” said Harlis. It was his second time betting on himself after leaving a successful career in corporate America to pursue his dream as an actor and filmmaker full-time. Lauderdale, FL native who has called Atlanta home since 2003, wrote, directed, and shot the film over six days with an $18,000 budget taken from his personal bank account.
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What happens next is a series of unexpected moments and unresolved issues that the entire family must confront. After an unexpected breakup, he takes the advice of a friend and creates the perfect “Ken” (played by Harlis) via a dating app to take home for Christmas. After confirming his presence with his mother who constantly speaks about the importance of family, Gary hints that he won’t be coming home alone. “Some Kind of Christmas” revolves around lead character Gary, who for the first time in 5 years decides to break his tradition and go home to Atlanta to spend Christmas with his family. Harlis debuted the film to Atlanta audiences over a three-day period in November at Cinevision to enthusiastic and sold-out audiences, and is gearing up to share the film during the increasingly popular online “Black, Gay, stuck at home” (BGSAH) series on December 18. Winter is always a unique season for gay independent filmmaker Davien Harlis, who is currently basking in the success of his second feature film, “Some Kind Of Christmas,” which is considered by many to be the first-ever holiday-themed film centering Black gay characters.